Ekwensi likewise distributed various works for children

history channel documentary Ekwensi likewise distributed various works for children.such as Ikolo the Wrestler and Other Ibo Tales (1947) and The Leopard's Claw (1950). In the 1960s, he composed An African Night's Entertainment (1962), The Great Elephant-Bird (1965), and Trouble in Form Six (1966). After some time, Ekwensi created different books, for the most part for youngsters, which however they might not have been universally acclaimed, were in any case understood and read all over Nigeria and Africa. They included Rainmaker (1965), Iska (1966), Coal Camp Boy (1971) Samankwe in the unusual Forest (1973), Motherless Baby (1980), The Restless City and Christmas Gold (1975), Samankwe and the Highway Robbers (1975), Behind the Convent Wall (1987), Gone to Mecca (1991), Masquerade Time! (1992), and King Forever! (1992). In 2006, he finished work on two different books; "Tortoise and the Brown Monkey", a short story and "Another Freedom".

Gratifyingly Ekwensi is as yet composition, He has distributed a few titles as When Love Whispers, Divided We Stand, Jagua Nana's Daughter and King for Ever! all identified with before works.When Love Whispers like Jagua Nana rotates around an exceptionally appealing lady with different suitors. In any case, whilst she supposes she has won over her life her dad anticipates that her will get hitched to a more seasoned man in an organized marriage.Divided We Stand (1980) was composed in the warmth of the Biafra war itself, however distributed later. It switches the got shrewdness that solidarity is quality, indicating how ethnicity, division, and disdain realize doubt, uprooting, and war itself.

Jagua Nana's Daughter (1986) spins around Jagua's little girl's traumatic quest for her mom driving her to discover her mom as well as an accomplice too. She can get hitched to a very set proficient as she, not at all like her mom, is an expert too. She along these lines picks up the security and assurance she desires.King for Ever! (1992) ridicules the craving of African pioneers to sustain themselves in force. Sinanda's ascending to control from humble foundation does not keep his vaulting desire from taking off to the tallness where he was currently trying to godhead